Showing posts with label Santa Cruz. Show all posts
Showing posts with label Santa Cruz. Show all posts

Sunday, August 31, 2014

Lus na gréinne, sútha talún, samraidh i tSwanton

Chuaigh Léna agus ár chara Broderick go an feirme sútha talún an Domhnach seo caite. Thúg sé an grianghraf seo in aice leis Swanton. Tá áit ag imeall ar feadh an Aigéin-Chiúin suas Naomh Crios.

Tá sé go minic an-ghaofar ann. Bíonn an samraidh anois, ach mbeadh sé seachto céim ansin. Dá bhrí sin, is féidir liom é go fháil i ngár ar feirm ann.

Má fhéachann tú ar an dheas, tú ábalta ag dul isteach an sabhal sean. Cheannaigh siad sútha talún agus caora órganachaí. Fásann siad ann.

Mar sin féin, is maith liom ag siúl timpeall taoibh lasmuigh an síopa fós. Nuair cuirim cuart ansin, análú mé go mór. Níl mé ag dul ag cois fharraige níos mó.

D'ith muidsa píog na "ollalaberries" an óiche sin ar chéile. Fásann siad ar an cois na Califoirnea Lárnach ina samraidh deireanach. Tá siad milseog speisealta gach uair a thagann againn anseo, gan amhras.

Sunflowers, strawberries, summer in Swanton.

Layne and our friend Broderick went to the strawberry farm this past Sunday. He took this photograph near Swanton. The place is along the Pacific Ocean above Santa Cruz.

It's often very windy there. It's summer now, but it may be seventy degrees there. Therefore, it's preferable to get out near the farm there.

If you look to the right, you're able to go inside an old barn. They sell strawberries and berry pies. They are grown there.

Nevertheless, I like to go walk around outside the shop, still. When I pay a visit there, I breathe deeply. I don't go to the coast much.

We ate ollalaberry pie that night together. They grow on the coast of Central California in early summer. They are a special dessert to remember each time that we come here, without a doubt.

Sunday, August 24, 2014

Dinnéar bréac leis sútha talún

Tá mé ag suí i cábáin in aice leis Naomh Críos san óiche ann. Thiomaint Léna agus mé go an Cathair na hÁingeal go dtí California Thuas (ag imeall Lárnach i ndáiríre) an Déardaoin seo caite. Fán muid anseo trí amárach.

Bíonn solas beag an láe fós ann. Tá leath tar eis seacht anois. Ach, féacaim na crannaí rua agus duilleogaí glan lasmuigh den fhuinneog.

Bím ag síochána anseo. Níl ábalta choisint an torann ar an bóthar mór ag trasna na sruthín. I rith an lae, roimh an breacadh na lae agus riamh an luí na gréine, chuala mé an cuid mhaith na tráchta idir An Gleann na Albanach agus Sliabh na Hermon in aice láimhe.

Thúg ár chara Broderick go Tuirlingthe de Chaonach cliabh seo na sútha talún inné. Tháinig sé go ár comharsanachta go dtí anseo a cur cuairt anocht. Bhuail sé ár chairde Críos agus Bob fréisin; ith muid dinnéar breac blásta a cóicaireacht le Léna a chéile.

Tá siadsa i gcónaí ina Sliabh na Hermon mar chomharsana go cábáin seo i gcéanna. Go nádúrtha, ba mhaith liom a bogadh anseo, go cábáin seo féin. Ar ndóigh, tá sé an-daor a ceannaigh teach anseo. Mar sin féin, tá brionglóid agam, agus is breá liom sútha talún ó Contae Naomh Crios i dtólamh.
  
Trout dinner with strawberries.


I am sitting in a cabin near Santa Cruz this night. Layne and I drove from Los Angeles to Northern California (near Central, really) this past Thursday. We are staying here through tomorrow. 

A little sun is still there. It is 7:30 now. But, I see the redwoods and green leaves outside the window. 

I am at peace here. I am not able to hear much of the noise on the main road across the little stream. During the day, before the break of day and after the setting of the sun, I hear the traffic between Scotts Valley and Mount Hermon nearby.  

Our friend Broderick brought from Moss Landing this basket of strawberries yesterday. He came from our neighborhood to here to visit last night. He met our friends Chris and Bob also; we ate a fine trout dinner cooked by Layne together.

They are living in Mount Hermon as neighbors to this very same cabin. Naturally, I would like to move here, to this very cabin. Of course, it's very expensive to buy a house here. Nevertheless, I have a dream, and I love strawberries from Santa Cruz County, always. (Grianghráf/Photo le Broderick Miller)

Monday, June 30, 2014

I nSleibh ar an rí

Beidh mé ag dul o thuaidh aríst! Gach samraidh, iarraim a imithe mo abhaile. Is brea liom ag gabhail ar an turas go Califoirnea Thuas.

Is é a chúis a cur cuairt mo chairde Crios agus Bob in aice leis Naomh Crios. Ach, rachaidh beirt go Nua Sasana go hionduil gach samraidh acu a fheicéail an clann mór ó Bob, fós. Mar sin, ní bheidh siad a bheith a bhaile.

Áfach, beidh muid ag dul in aice leis Naomh Crios. Beidh Léna agus mise i nSleibh ar an rí (nó Monterey i Spáinnis ansiud. Is áit an-hiontach ar on Aigéan Ciúin ann.

Mar sin féin, tá ionad an-daor ann, go loighciúil. Beidh muid ag fanacht i Asilomar ag imeall An Trá Méaróg. Chuala mé go mbeadh an-deas ansin.

Beidh muid a fhoghlaim faoi an scriobhneoir Lawrence Durrell ar feadh sheiminéar leis fiche duine eile. Thabharfamuid caint faoi dhá beathaisnéisí air. D'iarr sé féin i gcónaí daoine na hÉireann, ach rugadh Larry san India agus rugadh i Londain roimh ina gcónaí sa Ghréig, Éigipt agus an Fhrainc.

At the mountain of the king

I will be going up north again! Each summer I try to get away from my home. I love to take a journey to Northern California.

The reason is to visit my friends Chris and Bob near Santa Cruz. But, the pair will go to New England as usual each summer for them to see the big family of Bob, still. Therefore, they will not be at home.

However we are going near Santa Cruz. Layne and myself will be up there in Monterey (the mountain of the king in Spanish). It's a very wonderful place on the Pacific Ocean there.

All the same it's a very expensive place, logically. We will be staying in Asilomar at the edge of Pebble Beach. I heard it's very pretty there. 

We will be learning about the writer Lawrence Durrell during a seminar with a group of twenty others. We will speak about two biographers of him. He always claimed he was one of the Irish, but Larry was born in India and raised in London before living in Greece, Egypt, and in France. (Grianghraf le/photo by Jackie Kokuashvili: Monterey Sunset/ Luí na gréine i nSleibh ar an rí)

Tuesday, April 15, 2014

Fáilte go Nestor

Cheannaigh Léna mo triú bonsai le déanaí. Bhuel, bíonn seo difriúl é go fírinne. Mar sin, tá sé bláthanna agus níl sé buaircíneach beag chomh Bráthair Áitil agus Páidí.

Déanaim mé a cheangail idir Léna agus mé ag dul go Naomh Crios ag fhéiceail ár chairde Bob agus Crios ansuid. Sheolaidh siad Bráthair Áitil chuichi riamh an marbh na mathair na Léna. Thúg muid Páidí nua go Naomh Crios ar leath bealach an bliana seo caite agus go dtí ár bhaile a dhéanamh cara nua chun Bráthair thuas staighre sa ghrian, lenar dhá cait ag coladh.

Ainmithe Léna sé do Nestor. Dúirt sí mé go raibh sé mar gheall go bhfuil sí "empty nester" an bliana seo. Mar sin féin, shíl mé faoi an Íliad...agus "Ulysses" le Seoigh, ar ndóigh, go tapaidh.

Fuair sí é ag an áit céanna, nuair áit a mbíodh Páidí ar feadh Mhárta seo caite. Bíonn seanfhear tSeapáinis faoi chúram na plandaí ag an taobh na bhóthair go Coalinga ann. Measaim faoi sé gach uair a théann mé an comhartha buí B-O-N-S-A-I ann.

Tá suiomh ag fás na crannaí beag ag imeall Bóthar Cúig ag trasna ó Feirm Harris in aice leis an sli amach go Coalinga ann. Tá áit mór leis béilí úr, ach tá eallach chruinniú agus maríodh ansin. Tá trua agam nuair a théann.

Is féidir leat boladh an boladh láidir ó an Bóthar Mór. Bhain mé úsaid as feoil a ithe go leor an chuid is mó de mo shaol.  Anois, is dóigh liom ciontach as ithe iasc! B'fhéidir, is cuimhne liom Nestor agus a chairde ag fás faoi an spiorad na beatha ansin, agus ina bhaile anseo.

Welcome to Nestor.

Layne bought me a third bonsai recently. Well, it's different, really. That is, it's a flowering and not a little coniferous like Brother Juniper and Paddy.

I make a connection between Layne and me going to Santa Cruz to see our friends Bob and Chris up there. They sent Brother Juniper to us after the death of Layne's mother.  We took new Paddy along halfway to Santa Cruz last year and back to our home to make a friend for Brother upstairs in the sun, by our two cats sleeping.

Layne named it for Nestor. She told me that it was because she's an "empty nester" this year. Nevertheless, I thought about the Iliad...and "Ulysses" by Joyce, of course, immediately.

She got it in the same place, where Paddy was from during last March. An old Japanese man takes care of the plants on the side of the highway to Coalinga there. I think of him each time I go past the yellow sign B-O-N-S-A-I there.

It's a site growing the little trees next to Interstate 5 across from Harris Ranch at the Coalinga exit there. It's a big site with fresh meals, but the cattle are raised and killed there. It saddens me when I pass.

You can smell the strong odor from the Interstate. I used to eat lots of meat most of my life. Now, I feel guilty eating fish! Perhaps, Nestor and his friends are a reminder of growing concerning the spirit of life there, and now here at home.

Thursday, October 31, 2013

Ag tiomáint ar ais Cathair na Áingeal aríst

Is maith a fheiceáil Naomh Proinsias; chonaic mé aríst an Oifig na Phoist Rincon leis múrmhaisiú stairiúl agus an Músaem Iarnróid beag in aice leis an Foirngneamh Farantóireacht don chead uair ó 2007. Ghlac mé siúlóid breá ann sios Sráideannaí Margaidh agus Misean le linn mó sos lóin ag an chomhdháil.

Fhág Léna agus mé Naomh Prionsias riamh, ach ní raibh muid ag dul go direach ó dheas tri Gleann na Sileachain marbhánta. D'aontaigh muid go dtí Naomh Crios ar bealach Chuan na Gealaí Leath an-álainn. Bhi turasóirí go leor ansin, mar sin go raibh muid ag piocadh puimcín riomh Samhain. (P.S. Oiche Shamhna shona daoibh)

Chuir cuairt muid stop chomh minic i tSwanton. Fás na sútha talún orgánachaí is fearr ann. Bíonn an-feothan in aice na Aigéan Ciúin farraige; thiomáint suas agus ag níos mó na Bonny Doon go dtí Felton seo chugainn. 

Fhan muid leis ár chairde Bob agus Crios in aice leis Naomh Crios mar is gnách. Labhairt mé leis Bob faoi Auden agus Yeats ar feadh tamaill. Breathnaigh muid an chlár deireadh den "Briseadh Dona" ar cheile agus ith sméar píog.

Chaith muid ag imeacht abhaile ar moch ar maidin sin, ar leath naoi anuas aríst. Tairiscint againn slán chun ar slógh. Chuaigh tri Naomh Crios go Prunedale, Salinas, Paso Robles, Santa Barbara, agus Oxnard. Fhilleadh muid ar ais "Bialann ar fad."

D'ól mé leanna leis seagail ó Ventura in aice láimhe. Ith mé pizza bán. Ansin, d'imigh muid go dtí ár bhaile, ag fáilte a chur roimh ag beagnach sé ar an chlog ár madraí agus cait.

Driving back to Los Angeles again.

I like to see San Francisco; I saw again the Rincon Post Office with historical murals and the little Railway Museum near the Ferry Building for the first time since 2007. I took a fine walk down Market and Mission Streets during my lunch break at the conference.

After, Layne and I left San Francisco, but we did not want to go straight south through dull Silicon Valley. We agreed to go to Santa Cruz by way of lovelier Half Moon Bay. There were many tourists there, because they were picking pumpkins before Halloween. (P.S. Happy Halloween to you all.)

We paid a stop as often at Swanton. The best organic strawberries grow there. It is usually very breezy near the beautiful Pacific ocean; we drove up and over Bonny Doon to Felton next.

We stayed with our friends Bob and Chris near Santa Cruz as usual. I spoke with Bob a while about Auden and Yeats. We watched the finale of "Breaking Bad" together and we ate berry pie.

We had to leave early the next morning, half past nine again. We bid farewell to our hosts. We went through Santa Cruz to Prunedale, Salinas, Santa Barbara, and Oxnard. We returned to Whole Foods.

I drank a rye ale from Ventura nearby there. I ate white pizza. Then, we left to go home, to welcome at nearly six o'clock our dogs and cats. (Feirm/ Swanton Berry Farm: Photo/Grianghraf)

Sunday, March 17, 2013

Fáilte romhat a Phadráigín


Cheannaigh muid seo nuair ag thiomaint ar bóthar mór "na Cúig" triu Califoirnea Lárnach le déanaí.  Bhí Léna dith a dhúnadh na doirse ghluaisteáin. Ansin, a rith muid comharta leis B-O-N-S-A-I i litreachaí buí óllmhor.

D'iarr sí orm má raibh ag iarraidh "Brathair Aistil" cara. D'aontaigh lei. Mar sin, stop muid go díreach trasna on Féirm Harris: tá sé leathbhealach idir Naomh Proinsias agus an Cathair na hÁingeal.

Dhíol garraíadóir Seapanais aois leis feásóg bán agus hata tuí mór.  Stád sé ansin faoi gaoth agus grian. Shiúl fear ag imeall crannaí bídeach agus álainn.

Thúg mé sé liom go suas Naomh Crios nuair chuir cuirt ár chairde Crois agus Bob. Rinne mé grianghraf ar feadh trathnona ó ár la deireadh ina coillte. Tú ábalta feicéail crann beag anseo--agus na crannaí ruadh agus is aird.

Ainmnithe mé air "Padráigín" mar beidh 17ú Márta go luath. Ar ndóigh, tá glas é fós. Ach, sílím go raibh páganách é níos mó.

Welcome to Paddy. 

We bought this while driving on "the 5" highway through Central California recently. Layne needed to close the doors of the car. Then, we passed a giant sign with B-O-N-S-A-I in giant yellow letters.

She asked me if  "Brother Juniper" wanted a friend. I agreed with her. Therefore, we stopped straight across from Harris Ranch: it's halfway between San Francisco and Los Angeles. 

An old Japanese man in a great straw hat and white beard sold it. He stood there in wind and sun. He walked among tiny and lovely little trees.

I took it with me to above Santa Cruz while visiting our friends Bob and Chris. I made this snapshot during the twilight of our last day in the forest. You can see a little tree here--and big tall redwoods.

I named him "Paddy" since it will be March 17th soon. Of course, he's green too. But, I think he's more pagan.

Thursday, February 28, 2013

Ag déanamh rudaí atá triall

Bhí oibrí ag feacháint mise inné. Thug mé an bruscar leis an gcolbha. Duirt sé liom: "Ach, tá tú ag déanamh rudaí atá triall!"

Bheul, go fírinne, tá mórán rudaí ag imeall ár dteach anois. Tá Léna gá láidir faoi lathair chun feabhras a chur an seomra leapa. Mar sin, bíonn fir oíbre go léir an tseachtaine seo fada ansin.

Ina theanta sin, d'fhag Léna agus mé go Naomh Crios go hionduil nuair ba mhaith linn a fháil amach. Tá muid ar fanacht ag treasna ár chairde Crois agus Bob in aice leis a dteach faoi na crannaí ruadh. Is bréa linn é anseo, gan amhras.

Bhreatnaigh muid na Oscars a chéile. Chonaic muid an scannan "Amour" freisin. Ith muid ina bialann Iodáilis roimh.
Thóg mé beirt úrscéal fós. Ar dtús, tá mé ag tosú "Scamall Atlais" le Daithi Misteal. Béidh mé "Skippy Bás" amach romhainn le Pól Ó Muiri. Nach bhfuil an scríbhneoir as Gaeilge, mar sin féin!

Ach, caith mé a nascadh leis an Ghreasáin nuair bhí muid ina coillte. Bhí obair go leor ann, cuma cen áit a bhfuil mé. Críochnaidh téarma scoile agus tósaigh téarma eile anois.

Ní raibh mé ag súil le dul suas go gCalifoirnea Thuas chomh luath. Caithim ag oibre is mó ag múineadh le deánaí, léir mar i gceanna. Ar ndóigh, faighim siocháin agus ciúin gach lá a thagann mé anseo.

Doing earthly things

A workman was looking at me yesterday. I took out the trash to the curb. He said to me: "Ah, you're doing earthly things!"

Well, truly, there's a lot of things around our house now. Layne has a strong need presently to improve the bedroom. Therefore, there's workmen all this long week there.

Furthermore, Layne and I left for Santa Cruz as usual when we want to get away. We're staying across from our friends Chris and Bob near their house under the redwoods. We love it here, without a doubt.

We viewed the Oscars together. We saw the film "Amour" too. We ate at an Italian restaurant after.

I brought a pair of novels, still. To start with, I am beginning "Cloud Atlas" by David Mitchell. I will follow next with "Skippy Dies" by Paul Murray. It's not the writer in Irish, nevertheless [=Pól Ó Muirí].

But, I must connect to the Web when I was in the forest. There's a lot of work no matter where I am. One school term's ending and another's starting.

I had no expectation to go up to Northern California so soon. I must be working a lot teaching lately, all the same. Of course, I find peace and quiet every time I come here. Grianghraf/ Photo

Monday, July 16, 2012

Lár an tsamraidh

Bíonn an aimsir níos mó teasa faoi deireadh ann. Nuair chuaigh Léna agus mise ar ais go dtí An Cathair na hÁingeal ó Naomh Crios, bhí sé níos fuath an tseachtaine seo caite. Bhí sé go hiontach agam, go fírinne.

Go lag, achan lá, d'fhásaim an teocht de réir a chéile. Chuala mé ar an nuacht go bhfuil is teas inniu. Mar sin, bím ag suí ina seomhra níos thíos staighre ag scríobh seo agaibh.

Mar sin féin, bíonn an samraidh mar is gnách, i ndáiríre. Tá mé mo gcónai anseo, mar caitheamh mé maireadh leis an aeráidh i gCalifoirnea. Ar ndóigh, is maith liom an aimsir ag timpeall an cathair seisean go minic.

Sílím go raibh ag teacht go luath an fior-samraidh seo. Bhí mí na Meitheamh go hálainn ann, go cinnte. Gnách a, beidh níos teo an mhí Iúil trí Deireadh Fomhair nuair bhínn Meitheamh níos fionnuar anseo.

Ach, d'fhoghlaim mé an tráthnóna seo go beidh mo láthair obair gan uisce. Tá chúis go bhfuil an tógála leanúnach ansin. B'fhéidir, bheinn an staid chéanna nuair a fhillfidh mé.

The middle of summer.

The weather's warmer lately. When Layne and myself came back to the City of the Angels from Santa Cruz, it was cooler this past week. It was great for me, truly.

Slowly, each day, the temperature grew gradually. I heard on the news that it's the hottest today. Therefore, I'm sitting in the room more downstairs to write to you all.

All the same, it's summer as usual, really. Living here, I must live with the climate of California. Of course, the weather around the city itself pleases me often.

I think that this "true" summer may be coming soon. The month of June was lovely, certainly. Customarily, the months from July through October will be hotter when June was cooler here.

But, I learned this evening that my workplace will be without water. The cause is that there's ongoing construction there. Perhaps, I shall be in that same situation when I return.  (Léarscáil/map: Almanac na Fheirmeoiraí/Farmer's Almanac 2012)

Monday, July 2, 2012

Richard Thompson @ The Rio, Santa Cruz CA: Music Review


Where my gray(ing) hair blends in rather than singles me out, I guess I’ve met my demographic. I had celebrated my birthday a few days ago on this very vacation, but I was one of the youngest at this sell-out gig at an intimate theater (converted movie palace) on the west side of this famously counterculture, but comfortably accommodated and settled, bastion in this balmy coastal college city.

Nothing wrong with that; I had seen Richard Thompson probably twenty years ago at McCabe’s, a tiny club-music store in the guitarist-singer-songwriter’s adopted home of Santa Monica and that silvered, bearded, still often hirsute as well as balding crowd would have matched this, even if my hair was reddish-brown then. I wondered, yet, from the calls of the crowd how much they knew of his tremendous back catalogue, and especially his (pre-)history with one of my favorite bands (at least from the early period with his contributions), Fairport Convention.

As we waited in line outside the Rio, a college-aged kid, bleary-eyed, hang-dog, hung out of the backseat of a car. Traffic slowed, and he leaned out to yell: "Who's playing?" We pointed up at the theater marquee: "Richard Thompson. 6-29." He asked who he was. I yelled "guitarist. Folk." I added perhaps dogmatically: "British, since the 1960s. Fairport Convention. Solo. Famous guitarist." He answered, a bit bleary: "I'll check him out." I heard a voice in the crowd, perhaps my friend Chris, mutter, "Go back to Bob Marley." (Oddly, RT would mimic a few bars of his "Freedom" that night.)

The fellow next to us in line and behind us directly in the seats (we sat in perfect center, fifteen rows back) chattered on and on. He needed no introduction, but was happy to give one. Must have been a military brat as he said he grew up in England but he had no accent; saw them thirty years ago, went to every show within two hundred miles; going to Cropredy (the annual reunion of Fairport and associates to be held as Thompson noted on stage “in a muddy field in Oxfordshire in a couple month’s time”). I reflected to our hosts, locals and fellow fans Bob and Chris, how I never could rhapsodize even over a musician I admired. I felt as if an anthropologist studying the mores of Santa Cruzians gathered for a tribal ceremony to honor a visiting potentate who possessed magic spells.

As a fan more of Fairport, who ranks in my Top Five Ever for the overlooked, gawky, but innovative sophomore LP What We Did on Our Holidays from the amazing three albums in ’69 preceding the one that pioneered British folk-rock, Liege + Lief, I liked Thompson’s acerbic, wintry playing. He'd turned nineteen that annus mirabilis, and the band were his age or barely older. Amazing. After Sandy Denny left after the breakthrough of Liege – as the band reached its heights—to pursue a less antiquarian tangent, critics wondered how fans would respond to the new leader Thompson’s vocals.

In concert here, I admired his Scottish-inflected (not in accent so much as rhythmically chanted) delivery. His forebears were from over Hadrian’s Wall, and I know he grew up listening to what back in the late 50s and early 60s was unfashionable, compared to the R+B and blues favored by Keith Richards, Pete Townsend, the Beatles, and their ilk. This distinguished him from his English colleagues, who tended to turn to Chicago, Memphis, or the Delta for inspiration. Folk defines Thompson’s songs (Chris as a guitar player noted Thompson’s slack-key and “Texas chords” incorporated into his lines, staccato and fluid in turn or mood) yet as with Denny does not limit them. 

Well, Thompson to his eternal credit came on sharp at 8 p.m. I could see him straight ahead, and after an awful reverb marred his first song, the balance kicked in and I watched his fingers move and his face contort with pleasure, energy, attention, and wryness. Layne thought him less snide than before and Bob found him looser in approach. I have seen him (I think I may have attended his 1000 Years of Popular Music tour but remain uncertain, although I bought the record!) at least twice, at McCabe’s and as part of the Harry Smith American Folk Song tribute at UCLA quite a while back, so I did not have much to go on. 

The songs I figured he’d play he did, except for “Beeswing” which despite calls from the crowd he did not do. One errant man shouted out late on for “The Barbie Song,” to the singer’s befuddlement; the heckler meant Brittany Spears’ “Oops, I Did It Again.” This had been covered by him on 1000 Years, and he playfully did it as if Pepe Le Pew first a bit and then all the way seriously. It reminded me of how interpretation makes a song memorable. Thompson forces us to hear, even if some there may have not, the illusion, and the label we attach to artistic quality and not pop quantity. If Thompson had written this, or if it was a forgotten Cecil Sharp archival track from Northumbrian pit chants he’d excavated or refurbished, would we have admired Thompson's command of the idiom's  lyrical terseness, his ear, his ability to sum up the vagaries of flirtation, love, and abandonment? 

Certainly, Thompson can capture these amorous and/or cruel tensions well. He had the crowd sing the chorus of one of his many put-down songs, “Crawl Back,” and I am sure given his own choppy navigation of emotional waters hinted at in another, more wistful admission that despite his infidelities and betrayals, “I’m saving the good stuff for you,” he sang to his latest love.

A highlight for me of his show was his promised “Beret of Randomness.” He had an audience member plucked (female naturally, and this show as Fan #1 behind us remarked if correctly for a guitar god had a large amount of the distaff sex present—I credit Thompson’s humor and affable snarkiness as well as an almost cuddly manner that he sets off against his “this is one of the most depressing songs I ever wrote. Well, all of them are depressing, aren’t they?” patter) from row one where the $75 seats were. (Concerts even at the humblest venues mimic plane boarding where first class precedes steerage.) She drew out a slip with an album. Luckily it was not Mirror Blue or You? Me? Us? (I admit I never got around to one of his last, Sweet Warrior, although The Old Kit Bag had its moments once he left the Hollywood-lavish production of Mitchell Froom which to me had swamped his spare music with effects. He has returned post-Froom tellingly to stripped-down, live-in-studio or acoustic selections. His later albums from his California residence largely lacked the exciting testiness of his English ones, testimony I bet to Santa Monica's lotus-land's zephyrs.)

Three pre-announced choices were played from the slip indicating one of his albums. I admit it only went as far back on his site as Liege and two out of those three tunes from it were not my favorites. He lasted only one album post-Denny before he, too, fled Fairport’s increasingly determined folk-revival direction in 1970. I liked his combination of English brass-band and busker styles that deepened the timbre of his also overlooked 1972 first solo LP, Henry the Human Fly, legendarily the worst-selling Warner Bros release from the days of the marketing madness of those Loss Leader samplers (Shlangers! Perhaps my introduction to Yiddishisms? Liner notes by Dr. Demento) and the days when that label at its eclectic and doubtless doobie-inflected phase signed real singer-songwriting talent in the otherwise woeful days of the early 70s in L.A.

An offbeat selection that Dr. Demento might have played, Thompson joyfully regaled us with. Frank Lesser, of Guys and Dolls fame, penned a ditty from the 40s, full of hepcat jive, summing up Hamlet. Thompson's jaunty quality demonstrated itself wittily: "Better muzzle that Great Dane!"

Anyway, solo, speaking of when his own theatrically British strains began to enter his music if in a touch of brass band accompaniment, I like Thompson’s early 70s period best, Henry, and then with Linda Pour Down Like Silver and I Want to See the Bright Lights Tonight. These balance the Henry astringency and growing social commentary with the couple’s allusions to their new Sufi Muslim faith and, even if the rail-thin, long-faced (I should talk) Thompson looked better shaggy than shorn, the harmonies that for a while enriched their position as leaders of mature British folk-rock. 

This too-sharp an apex, documented in Rob Wright’s Electric Eden (PopMatters and Amazon US reviews), ended too soon as punk and tragedy combined to dent the charts and the hopes. Any folk-rock pedigree is incestuous. Fairport’s bassist founded Steeleye Span (another My Top Five, Please to See the King) before perversely he left to turn to reviving the English folk tradition. A revamped Steeleye forged an electrified amalgam of rock and folk to diminishing results by the later 70s. Denny fatally fell down the stairs; Linda and Richard’s disintegrating marriage led to Shoot Out the Lights, accomplished for its song craft and guitar intensity but far from WB singer-songwriter L.A. '70s comforting as her vocals were spliced from bits of her shattered voice into a mournfully great album that I leave more to be respected from a distance than returned to over and over. It was a pleasure to hear the comparatively lighter (!) track from it, “Wall of Death,” as his first encore. 

That beret’s random slip opened to Bright Lights, and so “End of the Rainbow” (“one of the most depressing…”), the title track, and then “The Great Valerio” featured as fitting highlights. I liked the rest of the set. Thompson looked fit and in good form, entertaining himself as I always wondered how a minstrel must with the same songs every night for decades. He did not vary them much as I could tell, but Bob felt he’d taken more liberties than usual in concert with them. The pace of the show moved smartly and it ended precisely two hours on. For me, too sensitive to hearing, I welcomed no over-amplification and the chance to see as well as hear one of the world’s best guitarists (and a great singer) not in a muddy field or on my usual manner of transmission, a tinny car stereo with my CDs.  

Thompson spoke tellingly of Cropredy’s impending arrival, and the 45th anniversary of Fairport. He mused about getting on stage with his former bandmates. Half an hour of what we Irish might call grand craic, and then you’d remember why you’d left the band, he pointedly remarked. He also appealed for us to seek out Sandy Denny’s legacy, and I found this touching. He played her “Who Knows Where the Time Goes.” Like Denny, I figure Thompson's paid more bills by others covering him. He told us how Americans had taken fifteen years to rediscover Nick Drake, so….(Thompson had contributed to Drake’s albums, Denny’s, and countless more, he refrained from adding, so I will.)

The genial audience certainly liked joining in on the metaphorically middle-fingered “Crawl Back.” They cried out for the usual tunes I’d predicted he’d play or they’d yell. It was a solid set, and certainly Thompson has many to choose from, although unlike say, Dylan, he does not mix it up too much as to arrangements. The solo nature of this performance, however, allowed us to attend to his vocals better. These carry a bleak, resonant quality. He may not have aspired to sing as much as play, given the early talents that Fairport featured (originally a male and female vocalist), but he suits song to voice nimbly.

As anticipated, the mini-saga and fretted workout “Vincent Black Lightning 1952” earned the loudest applause. I appreciated learning how “Walking the Long Miles Home” came from his teenaged trek twelve miles to farthest suburban London when the buses had ended, the tubes had closed, and he’d seen the second show by The Who. I was happiest with the close of his second encore, “Dimming of the Day” from Pour Down. To me, that plaintive appeal to the bonds of affection forged against the coming of night remains for me his signature statement from an eminent career. I wish him well.

(Wikipedia. Photo by Tom Adams via Thompson's BeesWeb site. Not that concert 6-29-12, but same dress sense, same guitar, same beret.)

Tuesday, January 17, 2012

Noah Levine's "Dharma Punx": Book Review

A dropout at fifteen, and by nearly thirty, a grown-up, Noah Levine shares his troubled journey. The son of a prominent American Buddhist teacher, Noah was raised in Taos and Santa Cruz, two not-exactly hardscrabble countercultural enclaves. Still, he seems to have spent little time with his father and stepmother, and early on became alienated from his mother and stepfather, turning to drugs by the age of ten or so, and then integrating hardcore (and then Straight Edge) punk and skating, tagging and panhandling, stealing and crack, into his lifestyle spent on the streets. He rails for much of his upbringing against hippie idealism and spiritual messages, but as the title indicates, he manages to survive stints in juvenile hall, twelve-step programs, and among many rebels in the Reagan-Bush-Clinton years who wind up in prison and/or dead.

He tells the story with lots of did-this, done-that detail for the first half of his narrative. He tends to fill pages with who he hung out with and what happened next which may be interesting if you were there with him, or were listening to his anecdotes now and then, but after a few chapters of similar-sounding mishaps, travels, parties, girlfriends, and concerts, it blurs as much for a reader as it must have for Noah back then. I sympathized with his torment, but it played like a long episode of MTV's "Behind the Music"--by a fan.

Halfway, the narrative lightens and widens. A solo camping trip to Big Basin park to see the redwoods he loved sounds predictable. But, the emotion invested in his sight of a deer, and the feelings evoked, demonstrate movingly, in his entrapment in temptations, how estranged from nature he has become.

His share of his mother's inheritance must have stood him in good stead, for he travels a long time across the US and all over Asia. To his credit, earlier (as with "My Name is Earl," I thought), he repays those he ripped off and makes amends to those he cheated, and he does put his fairly-earned income from medical and social work to good use, going off for stays to Hindu ashrams and Buddhist shrines, as well as a Sufi encounter. He follows his parents' model of acting as if he had a year to live, and he lives it up, and down, on his travels.

At Bodhgaya, where the Buddha sat under the bodhi tree, Levine seeks his own "intention to awaken in this lifetime" and to overcome his fears and mistakes and loneliness by "a victory over suffering." (161) Such self-surrender contrasts with his ornery past, and restless present, disdain as a punk for those who have chosen to play along with the system. Slowly, he realizes his own complicity with such a stable system, grateful for the safety it allows him as an American, compared to the assaults on the senses and body that much of India inflicts.

On his second trip to Bodhgaya, to see the Dalai Lama, he realizes his inconsistencies. "The day before I had taken a vow to be compassionate and there I was threatening some crazy Indian man with a stick. The absurdity of it made me laugh. I was very far from becoming a bodhisattva but at least I was trying." (205)

He tells of his on-again-off-again relationship with a girl named Lola, and of his gradual acceptance of their life that must be spent apart. He struggles with his desires, and despite his vegan, hardcore, purifying blend of dharma and punk ethos, he finds the practice as difficult as ever. But, he channels his rage and revolutionary idealism into a positive energy. "I had found the solution to my once-hopeless situation and lack of faith had been replaced by a verified understanding of the path to freedom from suffering. I knew that the path led upstream, against the current, and was the most rebellious thing I had ever done." (217)

As that last sentence of his shows, he can be a writer who struggles with a more fluent style, but the rawness, despite a typo or gaffe now and then, does reflect an honest account that surely has wide appeal for his audience, those who have come of age alongside him, and not the hippies of their parents' (or by now, grandparents') era. Levine can merge the discontent of punk with the First Noble Truth of Buddhism. By the end of his tale, he's finished college and started grad school in a program combining psychotherapy with spirituality, and he's serving the kinds of people he grew up with in Santa Cruz, with a Mind Body Awareness prison ministry, a safe-sex outreach program, and AIDS education.

He contemplates the funeral of one of his best friends, one who saw him both shoot up and meditate, and Levine resolves to keep doing better. He notes how few punks break through their anger at consumerism and conformity to get to "the causes and conditions of the suffering and falsehoods." (230) In dharma, personal freedom and a solution to the wrongs that fill society, he reckons, come together in his deeper, mature understanding. While this will not teach you much about what the Buddha taught, it's a nudge in the right direction. It's a rough ride over two decades, and the feeling that his father and his renowned colleagues intervene more than once to bail him out does persist. Still, the Buddha himself lived as a pampered prince before he saw the reality outside the palace gate.  The rich as well as the poor need guidance, the suburbanites along with those in the slums. Therefore, especially for younger readers turned off by musings from his father's generation, Noah's energetic, if rambling, memoir should prove a wake-up call.

P.S. The title may promise more dharma, but it gives you more punx. Here, Levine appends an overview of his father's meditation practice based on breathing but you'll need his 2007 "Against the Stream: A Buddhist Manual for Spiritual Revolutionaries" (see my review) as "a navigational chart" for that inner journey that returns to helping others along their own path. His 2011 book, "The Heart of the Revolution" shares his take on the Buddhist teachings of forgiveness, compassion, and kindness. For comparison, along the Zen path and amidst American hardcore punk and Japanese monster-movie culture, the similar memoirs and studies by Brad Warner (all four recently reviewed by me), are recommended. Like Levine, Warner mixes his own (sometimes repetitious, but entertainingly self-deprecating) punk saga into the Buddhist quest; unlike Levine, he's more insistent and more explanatory about how you can and should accept the regimen of Zen as a path to dharma. (Posted to Lunch.com 3-14-11 & Amazon US 3-11-11, the latter an attempt at balance among severely bipolarized reviewers; I've since reviewed his third installment, sign of his growing if delayed maturity: "The Heart of the Revolution" in 2011 for NYJB.)

Tuesday, November 15, 2011

Ag breathnú míoltaí móra


Fhreastail mé An Chomdháil Mheiricéanach do Léann do Éireann i Naomh Seosamh in aice leis Naomh Críos. Lhabhairt mé faoi an saor agus saothair de réir Máire Ní hAllmhuráin. Thógaidh sí i mBaile átha Cliath agus ansin ag imithe sí An tSeapáin ar feadh na n-ochtóidí go luath.

Chuaigh sí ar shiúl mar sin go raibh an dúil mhór aici ag maireachtáil chomh mar 'manach na tSen' ansiud. D'imigh sisean ar an taobh Thior i bhfad chun stadéar a dhéanamh Búdachas. Fuair sí bás nuair a bhí ach seacht mbliadhna ar fichead d'aois, i 1982.

D'fhan muid ar lar na cathrach i Naomh Seosamh ag trasna na basilica stairiúil agus dhá múseaim na healaíne agus teachneolaíochta. Shiúl muid ag cheantair sean 'solas-dearg' ina hoíche. Anois, measaim go raibh na colbhaí 'salach' leis carachtair amhrasach faoi na lampaí galánta fós.

Thug muid cuart air ár chairde dhíl Bob agus Crios ina dhiadh. D'ith muid ag am lón ag an caladh ina Naomh Crios. Bhi ag féachaint ar an chuain agus an clárchósan go hiontach.

Chonaic muid míoltaí móra léim ard amach as an aigéan. Ní fhaca mise féin riamh an oiread sin i mo shaol. Is  radharc go mbeidh mé ag cuimhneamh ar feadh i bhfad. Is cuimhne liom aríst faoi ár shaol gearr i hiontas tapaidh agus an rúndiamhair laistigh de gach créatúr.  

Watching whales.

I attended the American Conference of Irish Studies in San Jose near Santa Cruz. I spoke about the life and times of Maura O'Halloran. She grew up in Dublin and then left for Japan during the early Eighties.

She went away as she had a great desire to live as a Zen monk over there. She departed herself for the Far East to study Buddhism. Death took her when she was but twenty-seven years old, in 1982.

We stayed in the city center of San Jose across from the historic basilica and two museums of art and technology. We walked in the old "red-light"district at night. Now, I reckon the curbs may still be "dirty" with suspicious characters under the elegant lamps.

We paid a visit to our dear friends Bob and Chris afterwards. We ate lunch on the wharf of Santa Cruz. We viewed the harbor and wonderful boardwalk.

We saw many whales leaping high out of the ocean. I never saw myself so many at once in my life. It's a sight I will remember for a long time. I recall once more our short life in quick wonder and the hidden dimension within every creature.

(Above/Suas: Teach Solais Rinn le leon codhlata na fharraige/Lighthouse Point with sleeping sea lion. An caladh na Naomh Crios/Santa Cruz wharf. Photograph/Grianghraf le Chrios de Barra/Chris Berry, 30ú Samhain/October 30, 2011.)

Monday, October 31, 2011

Samhain ar bhaile?

Chuir mé cuairt ar na hÉireann coise tinne go Maigh Nuad dhá bliain ó shin. D'inis mé faoi é anseo. Ar feadh Oíche Shamhna, chonaic mé cat dubh ag trasna mo bealach in aice leis an droichead ard!

Ar bhaile, ní bhíonn a tharlaíonn sé i bhfad níos go hiondiúl. Níor thainig paistí ar ár tstráid ciúin mar riall. Ina theannta sin, thóg muid geata adhmaid nua os comhair ár dteach an tsamraidh seo!

Scríobhím seo roimh oíche eile, go fírinne. Ní mor dom mar go agam a bheidh ag taisteal ar mo bhaile ina gCathair na hÁingeal ar ais ag imeall Naomh Críos an trathnona ar leith sin.  Beidh mé tar éis labhairt go An Chomdháil Mheiricéanach do Léann do Éireann i Naomh Seosamh in aice leis Naomh Críos.


Ina dhaidh sin, beidh muid  tar éis fanacht trasna ó ár gcairde Bob agus Críos. Beidh Bob ag ceiliúradh a lá breithe. Chéiliúr mé mo breithe-lá leo Mheithimh seo caite, agus an Meitheamh roimh!


Dá bhrí sin, nílim go cinnte faoi ag insint agaibh anois. Níl fhíos agam fós cad a tharlóidh níos mó ansiud. Ach, tá veigeatóirí Bob agus Críos más rud é nach faoi dhraíocht. Mar sin féin, is féidir é a chinntiú go mbíonn agaibh de réir an áit álainn agus draíochtach suas ann.


Halloween at home?

I paid a rainy Irish visit to Maynooth two years ago. I told about it here. During the night of Samhain {Halloween}, I saw a black cat crossing my way near a high bridge!

At home, not much happens out of the ordinary as a custom. Children do not come on our quiet street as a rule. Moreover, we built a new wooden gate in front of our house this summer!

I am writing about this another night, in truth. I must do this since I will be traveling to my home in Los Angeles back from near Santa Cruz that particular night.  I will have spoken to the American Conference for Irish Studies in San José near Santa Cruz.

Afterwards, we will have stayed across from our friends Bob and Chris. Bob will have celebrated his birthday. I celebrated my birthday with them this past June, and the June before!

As a result, I'm not sure what to tell you all about now. I do not know about what else will happen up there.  But, Bob and Chris are vegetarians, if not under a spell. All the same, I can assure you all about the lovely, enchanting place up there.

(Cartún le/Cartoon by Mark Parisi.)

Friday, July 15, 2011

Bia agus ól ar Thuaisceart

Chuir mé cuairt eile go Califoirnea Thuas faoi deireanach. Thiomaint muid go an cathair Naomh Críos aríst. Chonaic mo teaghlach ár cairde dhíl Bob agus Críos go bhfuil i gcónaí in aice leis an cathair sin. 


Bímid áiteannaí go coitanta a feiceáil go hiondúil ar feadh ár thuras ar thuascaint anois. Mar shampla, cheannaigh muid bolg silíní dubh agus cliabh sú talann ina margadh Ghleanntan Prúna ag imeall an cathair na Salainn ar dtús. Measaim go raibh siad so-bhlásta is fearr orm gan amhras. 

Tá muid ag dul siopadóireacht go gróseara orgánach Duilleog Nua ina sráidbhaile na Felton in aice an gráig Sléibhe Hermon. Go nadúrtha, níl siopa fiorsaor ann. Mar sin féin, faigheann mo bhean a tí bia níos halainn gach uair ansin. 

Is maith liom ag ól tae speisealta freisin. Ní raibh ábalta tabhairt ar ais bocsa Dilmah Síolónach ina margadh an samhraidh seo, ach níl creideamh go raibh sé a díolta chomh fada le mo bharúil sa lá atá inniu ann dóibh. Mar sin, thug Léna beirt bhoscaí tae Numi de dom.


D'ith muid taos araín géar de Bhaile Watson. Déannann sé leis rós Mhúire agus gairleog ann. Nílim dith a stópaidh ag ithe aran de sin, go cinnte. 

Ar ndóigh, tá mé ag foghlaim faoi leanntaí áitiúlaí ansiúd. Fuair mé leann dubh leis min choirce ina Naomh Críos agus leann úll maith ag déanta ina gCalifoirnea agus Oregon. Inseoidh mé duit níos mó faoi ár leathanta saoire bheag an mí seo caite as Gaeilge an mí seo chugainn, is docha. 


Food & Drink to the North


We paid another visit to Northern California recently. We drove to the city of Santa Cruz again. My family saw our loyal friends Bob and Chris who are living near that city. 


We habitually see familiar places during our northerly journey now. For instance, we first bought a bag of dark cherries and a basket of strawberries in the market of Prunedale on the outskirts of the city of Salinas. I reckon that they are the tastiest for me without a doubt. 


We go shopping at the New Leaf organic grocers in the village of Felton near the hamlet of Mount Hermon. Naturally, the shop's not dirt cheap there. All the same, my wife finds very lovely meals every time over there. 

I like drinking special tea. I was unable to bring back Ceylonese Dilmah from this market, but I don't believe it may be sold there any more as far as I know nowadays. Therefore, Layne brought a pair of Numi boxed teas from there for me. 


We ate a loaf of sourdough bread from Watsonville. It's made with rosemary and garlic. I have no wish to stop eating a loaf of that, for sure. 

Of course, I learned about local beers up there. I got dark beer (stout) with oatmeal in Santa Cruz and good cider made in California and Oregon. I will tell you more about our little holiday last month in Irish later this month, I hope. 


Grianghraf/Photo: Múrmhaisiú/mural-decoration, Margadh Duilleoige Nua/New Leaf Market, Felton

Friday, September 10, 2010

Ag lorg tae nua

Chuir cuairt mé an mí seo caite chuig ár chairde in aice leis Naomh Crios. D'imigh mo teaghlach a feiceáil siad. Bhí Crios agus Bob tae brea cuanna go minic ina cistin acu.

Bheul, rinne mé dearmad. Bhí mé imithe as mo chuimhne. Ní thug mé tae liomsa chomh go coitanta ar an turas.

Ní raibh tae ina teach ar cíos ansin fós.Fhiafraigh Niall chuig Crios má thabharfadh a h-athair tae beag ó ár chara. Chuir Crios suas cuid tae Siolánaigh.

D'ól mé an tae nua. Baineadh stad asam le hiontas. Bhí maith liom é go leor.

Bhí sobhlas é. Is ainm é "Dúiche Lheim na Leannáin." Cé go bhfuil tae níos dorchaí, measaim go bhfuil blas chomh tae glas agus mín talamh leis meala air.

Ní fhaca "Leim na Leannáin" taobh amuigh de an margadh "Duilleoig Nua" ina ceantar ag imeall an teach na Crios agus Bob. Tá tae órga agus sléibhteach go blasta ach fínéalta agam ann. B'fhéidir, an gheobhaidh mé eolas le dáileadh de An Siolán Watte Series from Dilmah? Inseoidh mé nuacht níos mo faoi taennaí difriúlaí agaibh go scríobh mé an am seo chugainn ina h-aiste as Gaeilge anseo.

Seeking new tea

We paid a visit this past month to our friends near Santa Cruz. My family went off to see them. Chris and Bob have fine elegant tea often in their kitchen.

Well, I made a mistake. It slipped my mind. I did not bring my own tea as usual on a trip.

There was no tea in the house for rent, furthermore. Niall asked Chris if his father could get a little tea from our friend. Chris sent down a share of Ceylon tea.

I drank the new tea. It took me by surprise. It pleased me a lot.

It was a pleasant taste. It's name's "Lover's Leap Estate." Although it may be darker tea, I reckon that it may be a greenish tea flavor and a bit of earth and honey in it.

I have not seen "Lover's Leap" outside of the "New Leaf" market in the district around Chris and Bob's house. The golden, mountainous tea's tasty and delicate for me. Perhaps, will I find information from the distributor in Sri Lanka Watte Series from Dilmah? I will tell you all more news about various teas the next time that I write an entry in Irish here.

Saturday, July 10, 2010

Bhí muid crannaí fadó

Bhí banna ceoil áitiúla, Spréachaí na Coille Trá. Tá dlúthdhiosca dara agam duinn ann. Tá ainmnithe "Bhí muid crannaí fadó ann."

Chonaic mé cóip an tseachtaine deireadh. Chuir cuairt muidsa leis ár cairde, Bob agus Críos, ag imeall an cathair Naomh Crios i gCalifoirnea Thuas. Tá dha úinéir dó freisin.

Is maith liom an diosca sin réasúnta mór é, ach níl go mór é. Tá cuid mhaith ann amhráin níos lag air. Is cosúlacht "Buffalo Springfield" orm é.

Smaoinigh mé faoi an frása cheirnín an lá eile. Tá mé ag dul spaisteioreacht nuair ag tógtha ar cíos muid an bothóg do cábán againn i gcóngarach ár cairde. Shúigh mé in aice Srutháin Pónaire i ngar Sliabh Hermon.

Bhí aithne liomsa é an teideal albaim seo ansin. Níl fhios agam cén fáth, mar sin féin. Bhí mé i mo shuí ar an mias garbh slíne ann.

Chuala mé an fuaim snámhach gan strus. Bhí mé do shuaimhneas a ghlacadh mise féin. Níl a shárú faoi rás na gréine bhreac nó na crannaí ruadh.

Once We Were Trees

There was a local music band, Beachwood Sparks. I have the second album from them. It's named "Once We Were Trees."

I saw a copy the end of last week. We paid a visit to our friends, Bob and Chris, on the outskirts of Santa Cruz in Northern California. They are two owners of it too.

I like that record reasonably well, but not a lot. There's a share of very slow songs on it. It resembles "Buffalo Springfield" for me.

I thought about that record's phrase the other day. I went for a walk when we rented our cabin near our friends. I sat next to Bean Creek around Mount Hermon.

I remembered myself the title of this album there. I don't know the reason, however. I was sitting on a rough slab of slate.

I heard the flowing sound without stress. I was calling down peace on myself. There's no match for this under the dappled sun or the redwoods.

Grianghraf stairiúil Sruthán Pónaire ar bealach ó An Leabharlann Naomh Crios/ Historical Photo of Bean Creek via the Santa Cruz Library

Tuesday, July 6, 2010

Our road trip, Summer '10

We left for our semi-annual road trip north with what's become a ritual. This time, after a few hours on the freeway, we departed, found the back road that is strangely Highway One at its southerly stretch, and then after a dozen miles of calming farms we stopped. La Simpatica being closed for seismic repairs as was our second choice, El Tapatio, in the farmworker town of Guadalupe at La Fogata. That my family walked a half-mile (the Bataan death march for my teen sons) back to where I'd insisted I'd seen a yellow building and a sign promising homemade tortillas testifies to their appetites after a long stint in the car. My mahi-mahi lacked beans and the rice was blah, but the fish proved fine and the Negra Modelo refreshing. There was a drive-in lane outside but a truck parked in front of a sign made it look abandoned. I noted for all its "Dog Burger" option, but that was a frankfurter-enhanced patty, I admit.

Niall did not find, this a few days after doomed defeat of my non-hometown Celtics to my hometown Lakers, his size for the t-shirt celebrating those tiresome champs, but I noted at Masimoto market an elderly Japanese man shuffling back to the door next to said apparel on the sidewalk. I wondered if he was the owner, as a younger Asian man in this totally Latino town worked the counter. I figured odds were very good. I wondered how long the family had been there in this place, and what they'd seen from their spot on the main road over the decades where little seemed to change.

But it surely did. Central coastal California fills with those like us weary of L.A. Each visit, it seems there's a bit less farmland and yet more concrete.

More subdivisions sprout even in Guadalupe, let alone golf-linked Nipomo behind the eucalyptus at the right-angled turn, and each trip sprawl spreads along the 101 and the 5. The stores in the interior we pass this time, Camarillo, Oxnard, Ventura, Orcutt, Atascadero, Paso Robles, King City, Greenfield, Soledad, Salinas: they turn identical. Only the grocery stores shift to Safeway from Vons, the one regional quirk among the Applebee's, Starbucks, Taco Bells, Jamba Juices, Carl's Jrs., and the same gas stations that we must patronize, despite our mandated (largely by me by paternal dictate) dislike for chains and franchises.

When it comes to filling up tanks and carts, markets and oil companies seem to compel all but the few holdouts affluent enough and/or living outside the law, who ride bikes in the sylvan college towns, like Davis, Berkeley, or Santa Cruz. A few principled sorts can resist the Combine, saving their money for designer eco-gear, artisan eclairs, or raw-vegan organica. The rest of us suck up fossil fuels, push through aisles stocked with preservers on pallets, and return to less quirky, mostly less funky or even less hi-tech, jobs requiring often oddly more formal wear.

We stayed to give the kids a treat in San Luis Obispo at the pink-daubed faux-fairy tale fake-turreted Madonna Inn, but that edifice now adjoined a shopping mall on land the crafty owners had developed among the horse pastures and rolling landscape called Irish Hills. Now, as for most of the inland, sunbaked year, those slopes looked more like scorched muffins than gentle drumlins. In our themed room, as they all are but on hundreds of different motifs, we had a comfortable nook to unwind. Although I could hear 101's traffic, the site felt less kitschy and more endearing than I'd remembered. We noticed, or my wife did, Asian lesbians in the coffee shop; informants who know more than even she about such told us Cambria for fishing and Morro Bay for bikers attracts the sapphic set. Our Sky Room featured delicate clouds as stencils, and the Alpine washed blue blended well into the Gothic stone feel of the place. It reminded me of "The Sound of Music" meets La Grande Chartreuse, the motherhouse of Carthusians in that most strict of all monastic orders.

We, unlike at an ascetic hermitage, encountered a strong shower, a bidet, and heated toilet seat. I forgot to use the latter two, but my family surely did as I could hear their squeals behind the bathroom door. We elders had a loft forced to occupy as the kids insisted on the tv and king-size bed below. As the upstairs beam was poorly placed for those wayfarers over six feet tall (beware, booted and/or heeled lesbians) I kept slamming my head, as my wife dutifully chronicled in her own blog entry. Winded by the fourth blow, I lay down on the floor, but no bumps, oddly. Thus I celebrated my birthday, seven-squared so I figured it was luck, if inverted.

We made it north of Santa Cruz, hit the New Leaf with its high-priced fare, but I did find an ethical tea as advertised from Ceylon that I tried varieties of, Dilmah. I read William McGowan's harrowing account of Sri Lanka, "Only Man Is Vile," not too long ago. I wanted to support the resurgency-- not of Tamil Tigers or Sinhalese troops, but of the native tea industry devastated by civil war. I looked as is my want in strange markets for beers I'd never sipped. I bought a few.

To our friends Chris and Bob, we arrived, and my birthday dinner featured a special limited edition brew from (speaking of monks) an imitation Belgian-type Lost Abbey purveyor from San Marcos, CA (the same place as the great Stone brewers, which made me wonder about a shared plant). The most expensive bottle I'd ever had, but as I rationalized, the fanciest beer in the world can be bought at the price of a decent (for my tight budget) wine. It resembles Sam Adams bock in the blue bottles, that is, brandy. You'd never mistake it for beer if blindfolded. Complex concoction, but not really what you'd expect as ale. I bet it's more sipped than quaffed.

Leo and our hosts went off to hear Pavement on their reunion tour up at Berkeley, a long rush-hour drive. Niall and Layne and I hung out and relaxed. I kept eating cherries from the Prunedale market we'd bought on the way over; they were the best I'd ever tasted. Otherwise, I had no recollection of what we did that night. I pawed back issues of the New York Review of Books, played with the dogs, and wandered the net. Don't blame the brew for my vagueness as we all waited up for the other trio to return. For the record from the next day, the Eel River Tangerine wheat beer, three adults agreed, kept admirably a balance of fruit and tartness that often fails in blends, and I recommend it.

Around this time, I finished Martin Amis' "The Information" (1995). I found its remarks about the end of the novel appropriate even before the rise of this medium you and I share now. The narrator relates seasons to literary genres. He tells how the novel's weary of itself, reduced in its dotage to writing about writers. The tale veers from astronomical analogies to revenge thriller to satire of, yes, the publishing, promotional, and reviewing sides of bookselling. Hundreds of pages passed with you finding out nearly nothing of the protagonist's wife or the antagonist's prose style which in his superficial utopian story sent him into the literary stratosphere. Amis crams three novels into one. While it started off with the proverbial bang, it fizzled and sputtered long before its climax, when the sexual surprise revealed itself to be for me a damp squib rather than a payoff shot full of fireworks. But perhaps this was a metaphor for the whole narrative enterprise, which felt flaccid, lackluster, and bored of itself.

Next night, Niall got to stay home again, but the rest of us went to hear one of our favorite bands. For my money the most consistently talented and longest successful (not in acclaim or sales but in solid records) band of the era, Yo La Tengo. This indie rock trio from New Jersey played at Left Coast Live, a San Jose street fair very underadvertised. We got within three or four people of the front, and watched them as the moon rose behind the bassist. While my bad knee ached as the amps pounded into my legs that could not move much, and my ears rumbled as I never could take concert-level sound, I enjoyed seeing them, despite their recent forays into bossa-nova. That was a respite from their trademark folkie-jangle meets guitar feedback + pounding drums + steady bass delivery of extended riffs based on the Velvets or the Kinks or punk-pop that never get bored of themselves.

The next day we drove up to Sacramento. For the car, I borrowed Bob and Chris's copy of Cormac McCarthy's "The Road," which I'd fantasized resembled the decaying lane near their house, more below about that. The titular thoroughfare did not match the eroded byway as the interstates in the apocalyptic aftermath survived better at least in the short term of the horrific tale, but it did put my own worries into perspective as I'd angled after a notification e-mailed from my work threw me off my hard-earned relative balance. Unlike Amis, McCarthy relished telling his simpler story, and it stayed alive. Its prose-poetry stayed powerful, and the book left me curious how the movie did or did not live up to the harrowing saga McCarthy crafted.

As our pre-apocalyptic predicament, I watched the endless raw incursions of Contra Costa, the exurbs of the Bay Area, full of tall homes and sheared hills. Dublin looked as lackluster as Joseph O'Connor commemorated it in his excursion to all U.S. places named after his hometown, in "Sweet America." Pleasanton defies its name, a monument to ugly corporate buildings plonked as if by toddlers in lots among fields of stubble and brush. Danville, Martinez, Dixon, Vacaville, Fairfield, Roseville, Rocklin, Auburn may have enchanted emigrants making their way from the coast to the mines 150 years ago, but they all looked the same.

Did whatever the miners jerry-build look as out of place among hacked stumps and trashed meadows? All Californian stake a claim to the Gold Rush mentality, the eagerness to build a cabin, hammer a fence, cash it in. Forty million of us, and most of us still demand open space, a lush estate, a grand carriage. In a century, will we regard office parks and big-box stores as nostalgic? Lots erected as if yesterday, the same lack of context or culture that covers our colonized continent, outside of the shiny courthouse dome and the brave attempt at a preserved street in that last town where we left the interstate, a remnant of Gold Rush treasures.

The streets were empty and we saw the State Capitol's golden, yes, dome. We entered the city on a golden-painted bridge over the American River. We walked under searing heat in Sacramento's Old Town restored, peeked at the Wells Fargo Museum, marvelled at the artifacts, and ate a surprisingly solid meal (given a tourist-trap risk) at Fat City, on the site of the first market in the city, 1849, founded by one Samuel Brennan, undoubtedly an Hibernian emigre. That's how Levi Strauss got rich-- selling denim to the miners rather than chasing down another measly grubstake. The Fat family runs, the menu mentioned, half-a-dozen eateries around the capital, and my Old Thumper English Ale was excellent, wherever it came from up the delta to the hot valley.

A coupon for a free sample of candy lured us in to the mercantile emporium that may be for now as lucrative as was the stagecoach and Pony Express for earlier strollers there. I tried maple and rum taffy and a Mary Jane, which tasted sort of like my favored Bit o' Honey, which my wife bought for me along with other mysterious brands she then kept to herself. I never got any. I found wrappers in bed and in the washing machine.

Off to Grass Valley next, to see my wife's niece and her husband. The last time I'd been to this historic foothill town, their daughter was still a teen, and the weather was near a hundred. The temperature was the same now, but she's now engaged and living not far from us in L.A., where she works with the Upright Citizen's Brigade comedy improv ensemble at their theater. We stayed at a motel up Main Street and walked down a steep decline into the heart of its intact Gold Rush district.

Lola Montez, a captivating Irish-born (as Eliza Gilbert) companion to the nobility and long-reigning chanteuse, an formidably astute "actress-model-whatever" who'd now have her own reality show, lived down Mill Street 1852-55. Bruce Seymour, as my blog on the right lists this among my favorite reads, masterfully tells her saga. No relation to the Italian-Swiss innkeeper family, Madonna-- and Lady Gaga-- owe Lola shout-outs. She danced the "Black Widow," and I wondered how erotic it was compared to a gal festooned with rosaries over lace bustiers, or another Italian American tarted up in gawky fashion disasters. I walked past the house where that earlier paragon of reinventing one's sexual persona as a vamping, knowing, voracious celebrity had kept a bear. The gate was slightly ajar.

Up the block, three brothels survived into at least the Depression to serve the miners; not to mention the "houses of joy" in the large Chinatown-- a feature of many small hamlets turned boomtowns, ten thousand or so in the pioneer heyday about the same as the numbers today. Now, commuters endure the three-hour drive each way to the Bay Area so as to be able to live in these handsome Victorians-- if somewhat I trust cheaper than the Painted Ladies in San Francisco. Silicon Valley money must infiltrate these counties, where we passed immense gated subdivisions nestled by lakes. For the rest of the folks, same as ever, it's tough to make a living in the hills. Even as I later found on this vacation, a relative of a host tried to grow pot in these mountains and live off the proceeds; like arriviste entrepreneurs then as now he forgot he lacked buds-as-customers to sell his stash to.

I wondered about this cash flow as we ate at three places in town. Another way to make it in a boom: sell food to those who follow you. Designated a charming town, tourists come. Recently fewer, I estimated. A boomlet-- fueled by Silicon Valley and Bay Area money in many cases-- in wineries courted trade, but the Holiday Inn on the site of the old Chinatown did little for me to arouse aesthetics or credit for blending in to the humbler facades around it. All the same, I welcomed the chance to enter 49'er-era buildings erected over a century before my own newly 49-year-old bones were assembled. Tofarelli's on the site of an 1859 market served good pasta, well flavored. My kids had half-touched bowls I wanted to finish.

But the beers, Sierra Nevada Summerfest and my wife's Alaska Summer Ale, or vice versa as the server did not bother to tell us the difference, tasted flat and lacked verve. A tiresome man boasted in a voice filling the mostly empty brick-lined room of his mechanical and financial exploits for what felt like hours. Two women of a certain age if not yet mine lingered at the bar and waited for what or whom I could not hear. An old couple came in as the distaff half squawked: "You never wait for me to sit down" even though he cradled a walker. There was a notice posted by its door by a businesswoman looking for legit, non-horizontal transactions: "in these economical hard times..." I did not read on.

At Diego's the next night, a short jaunt from the home of my wife's relatives, in turn a half-mile from the motel, it reminded me of what I had not experienced for many years, decades even: being able to navigate where you live to eat, shop, and work without needing a car or public transit. My wife's niece walks to work, a few blocks away. I wondered how my life would slow in such a town as I ate hearty Chilean-based cuisine; the Lagunitas IPA predictably's bold. Chris later gave me a Wilco Tango Foxtrot Stimulus Recovery Ale that true to the brand packed a wallop, as Lagunitas tends to deliver.

Evening three we passed a women's softball game at the park. We walked to the building across the street. It had been, our hosts told us, formerly the Duck Inn, a joint where pool tables rested on crooked wooden floors. Now it was spotless, airy, and spacious. We trooped upstairs. Spain-Portugal World Cup game flashed in silence. Even for a soccer fan like me, the only one at the table, a dull match. Our tattooed, lively, punkish waiter anticipated the Giants game but we informed him that (at least some of us) were Dodger loyalists, and he cringed. The game the previous night saw the boys in blue triumphant, as would this one. I recalled two years ago to nearly the day: we in the park in SF, magnificent view of the bay, as 40,000 screamed all around us "BEAT L.A.!" And that came to pass.

Well, at Goomba's: pizza emerged truly rustic, no weird imprint of the pan on the bottom of pre-fab dough. I liked Oregon's Deschutes Mirror Pond pale ale, reminding me of a Belgian Duvel almost in its red-brick depth. Made me wish for real Cascadian climates as the summer heat endured and the game ended, with revellers looking like firemen with great miner-era mustaches, requesting rounds of Coors or some swill.

Our residence was set near a field. It looked as if stakes for vines were being set up. A cross loomed over the back window from the Lutheran church. My sons saw a deer over the fence as we left; a novelty for us. Formerly Sierra Motor Inn from the key, now boosted into Sierra Mountain Inn, the place looked immaculate. Even if the proprietress had no conditioner for my children's demands, no bath gel, and only two forks and two knives to accompany the one bowl and plate that supplied our kitchen. The sheets were not changed, but towels were replaced. I could hear the neighbors coughing all night behind the thin wall. A third way you make money in a boom: sell rooms to those who show up looking for get-rich or back-to-nature quick fixes. My wife's niece told us this site was a homeless shelter before its conversion.

One night in our room, diversions being less than in Gold Rush days for us sober married types, we watched a show I'd never seen, it being the dregs for us of no cable: "To Catch a Predator." Some episodes took place in the city where I teach, and I reflected on how the males trapped could have been my students. The program capitalizes on men who after chatting online with girls who claim to be thirteen set up a rendezvous at "her house," complete with suburban hot tub. They enter, go around back, she as decoy retreats after brief greetings to "change." Then the blazered host-- with a lockjaw accent that I in my Angeleno ignorance imagine sounds like Tom Wolfe's Yale classmates, "Love Story," early Philip Roth or all of John Cheever-- comes on to recite didactically said suspect's incriminating sex-talk transcribed by our enforcers of law and order. The sting made me uneasy; I don't like entrapment, and it preyed on lonely men if for purportedly just ends. As my wife observed, you don't go after the whores but the johns to clean up the block, but I wondered if these men's actions really constituted "attempting a lewd act upon a minor." I leave this to more conniving, judicial or calculating minds than my own.

A few minutes from that motel, you can find Lotta Crabtree's house; she was the protege of Madonna as Lola, who lived on the same street. Lotta's first appearance as the Lady Gaga of the mid-19c supposedly was dancing on the anvil at Flippin's Blacksmith, in nearby Rough & Ready. She grew up to become her own famous performer, and I wondered in Gold Rush times how miners and mulers regarded their versions of "Toddlers in Tiaras," comely come-ons from minors.

Off camera, two cats rested outside, free of hot tub props or Internet trolls, under an umbrella against the foothill glare. Perhaps they were feline descendants of those who sidled around the ankles of Lola or Lotta, dashing away from a bear. Air conditioners whirred as Main Street hissed of tires that never stopped until the middle of the night. This on a byroad to the highway for Marysville, I could not figure out why so many cars and trucks took this route. Maybe they were commuters to the gated lakeside stucco mansions.

Our journey up into the Sierras and maybe nicer weather took us first through the Rough and Ready, a hamlet back in 1850 that briefly seceded from the Union over a miner's tax reminiscent of the Tea Party's reactions today. We passed those lakeside new mansions and more dismal construction. I glimpsed a sign for Ananda, the breakaway sect of the New Age SRF who occupies the hillside estate a mile from our house. Then on down a curving declivity to the 250-foot covered bridge over the Yuba River, where Layne took this blog's photo of me looking out as I rested in the cool interior. I gazed out over a vista nearly identical to that seen by Gold Rush riders, who paid Wells Fargo-equivalents of bullion for the steep crossing fare.

We saw French Corral, with its Wells Fargo ruin of an office. Did the Pony Express stop here in 1856? Equestrian countryside surrounded us. I then recalled a cyberfriend lived nearby; I wondered which horses might be his.

Slowly, we drove up the well-named Pleasant Valley Road back to Highway 49 at North San Juan, near the pot growers and Gary Snyder's own homestead, the Beat guru whom I blame or name for alerting hippies, dealers, and dot.commers about this region. I'd been up here once, to the Malakoff Diggings torn out of the mountains for gold, hearing the Anita Hill-Clarence Thomas proceedings on the radio back then, surreally. Back then, we got a flat tire on the rental car; three separate cars stopped to ask if we needed help. I hope people would be as friendly now twenty years on, or that I'd be to them.

Sierra County even at the end of June, high up around 8000 feet on its buttes showed some snow, and we followed the Yuba's fork for most of the drive. We passed a Sierra Shangri La so named that appealed to me, cabins by the creek, and then another Sierra something with a rope-bridge over the less-than-rapids. Chris later told me that this was the height of the water, which I did not expect, so I guess the Yuba does not get that turbulent. But from the still-standing snowplow markers, with their own height, I reckoned that snow gets pretty deep up here in a long winter. The weather that day, even under fifty-odd miles of trees roadside, stayed warm.

We dipped into Downieville's tidy bends, Sierra City's faintly Swiss echoes, and down Yuba Pass (6,600 feet) into Sierra Valley, the largest Alpine meadow on the continent, where Sierraville (get the drift?) languished despite a sign for pies I wistfully noted, and then to lunch in Loyalton, pop. 850 or so, where we looked in vain for a bathroom at City Park and Museum, but where we ate, without bathroom, at the only place open in this half-inviting, half-forlorn ranching stop founded by Swiss-Italians, Rhonda's Lil' Frosty.

The sun beat down. This felt more like the Old West than the Sierras. We had crossed the Pacific Crest and the divide between coast and mountain, interior and range, had given way to the other side before whatever the Gold Rush pioneers had come west to find. The desert neared on the harsher air and in the wide-open landscape.

Road workers lined up for burgers; kids wheeled by for drinks; men scarfed soft-serve; we waited nearly half an hour for what were indeed flavorful fries, and my cod basket no matter how far from the ocean proved worthy of my patience. We'd watched one dog chase another, led on a leash by her owner as she biked down the main street. Then, a few minutes later, that free dog ran back up the street, on his own. Loyalton's little children played, summer at last. They teased each other, two boys vs. two girls, and I reflected how in caretaker nanny L.A. that in many neighborhoods you'd sit a long time before seeing kids on bikes all alone anymore.

You'd see dogs and bikes and grown-ups, but kids? Not out "unsupervised" without their guardians, or strapped in seats in SUVs. Compare the death march of our two sons in Guadalupe. A half-mile, and I walked back alone to get the car to put it in the lot so as to pick them and their mother up before the meal even arrived!

We returned to Grass Valley, and the next day we left after we bought veggie pasties (it being a local specialty from the days of Cornish miners who may not have hankered for non-meat varieties) on our way back to Santa Cruz. We had to split our stay due to concerts and accommodation demands; but I liked the change in scenery and welcomed a return to cooler weather. It was easily twenty-five degrees less than Grass Valley. We got over the Bonny Doon hill from above SC and when shopping at the first-ever organic berry farm in the state, at Swanton, it was ten degrees lower, around the low 60s, the Pacific air blasting us like a giant fan. We got ready for a night out in another historic, if post-Gold Rush, downtown.

We walked through the Santa Cruz Boardwalk to the beach for a free showing of "The Lost Boys" on an inflatable screen alongside 8,500. We ate the pasties. Next to the screen we could see the Boardwalk's stately stretch in its neon glory, where that silly vampire flick was filmed circa '87. An odd juxtaposition of set with reality, stage with the real, however glamorized in that inimitable (I hope) mullet-haired, fey Goth, moussed and fussy Eighties style. Corey Feldman, one of the stars, sang with his band prior to the movie. The props on the platform with the musicians featured a girl in a hula hoop, a girl as a robot, a giant beach ball, and dry ice. They played their CD, "Technology Analogy" in its entirety. Suffice to say that it sounded like sub-Bowie meets prog the last and only time I'd been to the Boardwalk-- summer of 1976. Feldman explained: "This is a concept album. It has a beginning, middle, and end."

Still, the crowds cheered. It was so jammed I could barely walk along the promenade this time, much remodeled since the '89 quake, but still redolent of over a century now of energy and grease hawking this longest of American attractions, at least on the West Coast. Due belated thanks to its early mayor and astute promoter Swanton, named after which is where we'd bought a tart ollallaberry pie perches in the sea-pummelled wind the other side of Santa Cruz about twelve miles north. While deep-fried Twinkies remained the most noteworthy of current culinary delights on the strand, not that I tried them, we did have a fine picnic as darkness fell. I could barely smell the surf or the salt. Venus dipped below the scaffold where the band had blared. Then we remembered how uncomfortable the sand can be without a folding chair. I dug into the sand for a kind of seat, but nature allowed me only a few inches lowered tilted respite from my bony frame and my awkward pose.

We stayed at the cabin behind Chris and Bob's. We watched Wini be as bad as our Oprah in canine crime. The US lost to Ghana; Argentina lost to Germany. We sampled a dry, assertive Wandering Aengus cider named after Yeats's verse; the Mariposa-based owner had left us kindly a bottle of a mellow Butterfly Creek merlot '03. We liked as we did the Tangerine cousin Eel River's Acai Berry wheat beer which tasted neither like berries nor beer but a pleasant blend nonetheless. Definitely a brand to check out, and organic, a rarity for beer due to the difficulties in brewing. We read, we rested, we puttered. The cabin, as the guestbook told us, was around a century old; a great-granddaughter of the family who'd bought it in 1925 stayed there not long ago.

My favorite walk on the road that has been overtaken by the landslide I've written about before here. In 1968-69, a time of heavy rain, the subsiding hills around the quarry nearby advanced 4-6 inches at a time. As this was the main route in and out of what had been founded in 1907 as a Christian retreat center, the noise from quarry trucks drove those seeking peace among the forest into desperate pleas for divine intervention, or failing that, a road re-routed around Mt Hermon. Kay Gudnason's 1972 local history "Rings in the Redwoods" explains how this came to pass. Conference Road since that stormy winter comes to a halt, the sand and trees and soil covers up its middle. Another road, even more travelled I confess than Main Street, Grass Valley, takes a load of heavier traffic from Scotts Valley (talk about suburban strip mall blight) to Felton. You still hear it through the trees. At least it bypasses the Mount, which has its own desecration in erecting a "redwood canopy" attraction to account for at the lofty seat of its Creator.

The clamor of youngsters and oldsters who use pulleys to swing up and down these trees saddens me. They whoop and holler and I know for them it's like being on a ride on the Boardwalk. But, I wrote thoughtful letters years ago to the directors of the Mount Hermon Christian Center and never got any response to my concerns about the environmental and acoustic damage of this "attraction." It went in without permits, over objections of neighbors, and with disregard for the effect on the ecosystem. Profits matter more than principles to these stewards of what they call God's creation. Canopy rides bring in big bucks. Mount Hermon covets lucre.

So, I never turn towards the Christian camp anymore on my stroll. I move along the other direction of the stream, however short a distance. Dappled maple leaves shine brilliantly as day-glo under slants of sun speckling pools and rivulets rushing over fallen branches and raised rocks. I sit on slanted slate and let my mind rest.

I'm lucky to find a place relatively untouched, upstream if not always out of earshot from the yodeling youths. In that same year so momentous for our state and the Sierras and the trees, 1850, Bean Creek was settled by a family of that name a few miles nearer its source. We know nearly nothing of the Ohlone who foraged there; the difficulty of extracting felled timber from bottom of canyons preserved a few first growth redwoods despite fires nearly a century ago that devastated the Mount.

Later that day, I go with Leo, Layne, Bob and Chris to an art gallery. My attention focuses on "LA to San Berdoo" by Jim MacKenzie. He took shots of what he saw along the rail route that passes mainly industrial parks, warehouses (much of the 75% of truck-freighted items from China to the U.S. comes in via ships at Long Beach and then's loaded up the freeways to these vast distribution sites), and my lifelong pet rant, ticky-tacky little boxes as houses and malls and acedia. My favorite photo: "Gated Homes from 300k" bannered in front of a tagged, graffiti and trash-strewn end of a cul-de-sac with the San Gabriel Mountains behind it, barely visible. Fittingly, neither my wife nor I could afford the $395 or so displayed or the unframed $165 print of this image, but in our own recession-prone postures, we sympathized with this shot taken by a native of Mentone, near where Layne once lived, in the semi-rural (within our "living memory") Inland Empire that both she and I shared for many years, sometimes even overlapping if unknown then to each other across fifty-odd miles.

From that art exhibit Leo and I went next door to Streetlight record store on Santa Cruz's main drag, Pacific Avenue. I admired a Galaxie 500 DVD, as I've been listening to them a lot lately and got Leo interested in them too. I turned later to find it proffered, Bob's kind gift to me. I also turned to meet myself as the subject once of Chris's rapid photos. Leo and I wandered happily; Layne found some videos perfect for work. (Speaking of day-glo, I made a note to look up "The Perfumed Garden" CD set. 82 tracks of British psychedelia, '65-'72!)

We met up with friends of Bob and Chris at Hoffman's on the main drag of this quintessential college town enriching this now-upscale and progressive resort for intellectuals, surfers, trustafarians-- and bums. Jazz filled the restaurant. I had salmon accentuated by a bottle of Rautberger's sour but filling Dunkel beer. While I liked my meal, the waitress declining to serve a party of seven at a significantly priced dinner a second helping of bread gratis appeared churlish. As we left, the same woman came out to ask if we'd meant to take the remainder of the meat loaf; as it was Chris's friend who'd ordered it, he advised her that said male was in the bathroom to where she could deliver said leftovers.

We played Scattergories the last night together; I am notoriously ill-tempered when competition and timing are involved, a trait inherited by my eldest son as his ACT preparation has revealed to us. My overwrought performance might have diminished the ease of parting for Bob and Chris. But, next morning, we missed our hosts already.

Stuck in Fourth of July traffic near Salinas, we made it a long but uneventful trip back towards home. Amazingly, stocked with snacks in the car, nobody had to stop all the way down until a hundred miles from home at what's become a second ritual the past few trips (as it was not there before then) at Murray's Family Farm off the 5 at Copus Road near the Grapevine. First time there, I was angered by a couple who in a hundred degree heat had left their pooch in their SUV, no window opened even. I was about to go to the store to alert the owner when they came back, and I stared daggers at them, half-wishing I'd deflated a tire of the vehicle but knowing the dog would have suffered more. Next time there, I entered the Murray's bathroom and found a wallet left behind, which I took to the clerk, who found in it a South Carolina license and information he'd use to track down the owner, who'd left it a half-hour before, he estimated.

This time, I entered and while I was availing myself of the facilities, a woman opened the door. She told me, as I was immobilized, that the door had not been locked securely. No, not the waitress with the leftover meat loaf. Well, another odd encounter, and on the way out in the corridor I again apologized as did she, but we both handled it smoothly, I suppose!

That's about it for this journey. On the way back, I reflected on my reading the way down, Michael Downing's "Shoes Outside the Door: Desire, Devotion, and Excess at San Francisco's Zen Center." (2001, about the scandal in 1983 caused by the successor to Shunryu Suzuki, Richard Baker. See my review of David Chadwick's biography of Suzuki, "Crooked Cucumber.") In the turbulent wake of these immigrants, who sailed to Gold Mountain not for wealth but wisdom, and forged a cultural vanguard and retail juggernaut for Western Buddhism, Downing examines who pays for those who dream.

Mount Hermon filled in a lake to build a field for campers and increase the parking lots to draw in more paying guests. They damaged their share of the Bean Creek watershed to lure thrill seekers rather than spiritual seekers. Other Christians, at La Grand Chartreuse, solved their "economical hard times" by brewing liqueur. This also kept the austere recluses isolated from their tippling customers.

Tassajara wrestled with how to sustain its own community of dreamers. It lies at the bottom of a very remote canyon. But unlike the distantly situated Carthusians, they are not celibate. Men and women join, unlike traditional monasteries Buddhist or Catholic. They meet, they mate, they breed. They live 150 miles from San Francisco. So, who cares for this brood of believers? These questions never faced Buddhists before, ever. How do you start a monastery from scratch with little water in harsh wilderness in the '60s, full of The City's impecunious dreamers? You pay them stipends to sit doing "zazen," baking bread, boiling soup, feeling groovy in the search for enlightenment. But, sites must be bought; bills must be paid.

I've found myself intrigued by the challenges of running Tassajara as the first non-Asian, co-ed, non-celibate foundation of Buddhists in history. By the way, Gary Snyder appears. He and Allen Ginsberg bought that Nevada County site-- as a mooted alternative early on to Tassajara. The third point in this NorCal Zen triangle, Marin County's Green Gulch Farm across the hills and bay from Contra Costa, earns this pause early on from Downing: "maybe we all are at odds with where we live. Rich soil, clean water, and cool air nurture a landscape's wild and ramshackle nature." (xvi)

Back in the city, back at work, I cannot carry away the stream, the summit, or the breezes from more temperate or less peopled terrains with me. I've never visited a Buddhist shrine. I sidle away from the Christian campers. And I haven't tried Chartreuse. But I can try to incorporate Zen's lessons from nature, and how we can tame our own wills to more peacefully live within wherever we must toil, far from affluent Marin, arid Tassajara, or San Francisco's Painted Ladies. Or Victorians in Grass Valley, creeks in the Santa Cruz watershed. If nearer the asphalted and franchised horizons of half of California, for my weary eyes. Tastes stick with me, and smells, and textures.

So, I've been eating lots of cherries the past month. Tangerines fill winters, cherries and berries summer. Can't pass them up. Those Bings from Murray's filled me today along with my oatmeal; the blackberry flat's already recruited into my wife's cake. Spring passes, fruits ripen, and I grow older.